
NBCC Business Innovation Series 2026
Corporate, 2026
NBCC · Lagos, Nigeria · 4:03 mins
Film coverage of the NBCC Business Innovation Series 2026.

Visual storytelling for brands, people, and moments worth keeping.
Lagos · Abuja · Nationwide · Africa on request
Selected work
A film is not a record of what happened. It is an argument about what mattered.
I run BJ Media Production concept from Lagos, Nigeria. Weddings, brand films, documentary and commercial work — different rooms, the same job.
Small crews. Available light where it holds. Sound taken as seriously as picture. And an edit built for meaning before it is built for beauty.
What I make
A day covered as it happens, with two cameras through the ceremony and speeches and one for everything around them. Nothing is re-run for the camera.
5 deliverables
One film that explains what a business is for. Built from interviews rather than a script, so the voice stays recognisably theirs.
5 deliverables
Short-form advertising built for where it will actually play, with safe areas planned from the storyboard so vertical crops are not an afterthought.
5 deliverables
Internal and recruitment films shot on site with minimal disruption — unscripted interviews, real workspaces, and a structure built from what people say.
5 deliverables
Short documentary work, from access and research through to a finished film. Shot over weeks or months rather than days, usually with a very small crew.
5 deliverables
Case study, 2026
Film coverage of the NBCC members evening induction.

Coverage of the NBCC members evening induction, produced for the chamber.
Read the full case studyWhat clients say
We barely noticed anyone was filming, which is the highest compliment I can pay. Then the film arrived and half of it was moments we did not know had happened.
Amara Oyelaran
Wedding in Lagos, 2025
How a film gets made
Every commission runs on the same five stages, whether it is a one-day commercial or a documentary shot over four months.
A conversation about what the film is for and who has to watch it. Most briefs change in this call, usually for the better.
A treatment, a schedule and a shot list, plus the unglamorous parts: permissions, insurance, and where the light will be at four o'clock.
Small crews, long lenses, available light wherever it holds. The aim is to change the room as little as possible while filming in it.
A first cut for structure, then two rounds of notes. Grade and sound mix happen last, once the shape of the film has stopped moving.
Masters in the formats you actually need, cutdowns for the places they will play, and the selects archived for twelve months.
Tell me what you are making and when it needs to exist. I reply to every enquiry within two working days, whether or not I am the right person for it.
oyebamiji001@gmail.com · +234 813 541 8734 · Lagos · Abuja · Nationwide · Africa on request